I'm Sorry, Did You Want to Hold That?
Here’s the thing: I’ve got to hold the paper. If there’s a paper, I’ve got to hold it. You’ve got a paper? Give it here. Your paper = Mine to hold. I’m betting the reasons behind this instinct are many and varied, but the foremost reason is obvious: If you’re reading the paper and I can’t see it, I’m not hearing a word you’re saying. Even if the paper’s on the table between us and you’re reading it aloud, I’m not hearing you, and I’m not following along—even if it looks like I am. I’ve got to read the paper myself—in my own voice (or head)—in order to process it, in order to be useful in any real way.
During my observation sessions, I’ve noticed that consultants generally take the professionally recommended course of action: they ask the writer if they’d like to read the paper themselves, or if they’d prefer that the consultant read it. As writers vary, so do preferences. Okay.
So when I had my first one-on-one consultation (a walk-in), I presented the student the option of reading the paper herself. I got lucky: she wanted me to read it. The session went well. I offered my next walk-in the same option. This one stared at me for a perplexed moment, puckered her lips, squinted a bit, then haphazardly started reading her paper aloud.
Despite that my pencil was poised to take notes and that I was all rarin’ to go, by the time the girl got to the end of her introduction, I couldn’t remember a word she’d said. I actually had to stop her and say, “You know what, I was wrong—I’m going to need to read the paper.” She handed it over and I placed it in front of me—not between us—and I read it aloud. It felt ugly, especially since I’d offered the poor girl an option then yanked it away, but it worked. For now, that’s what works for me.
So I’m wondering, is this a person-to-person phenomenon—like, I learn and process things visually where someone else might not? Or is it a generally acknowledged “newbie” phenomenon, one that will fade with experience? Or is it case-based—are there some writing pieces that are more easily internalized through the ear than others?
I imagine that as the weeks go by I’ll get better at inching the paper toward the writer, so that it rests between us, at least, if not in his or her hands. But I would really like to know how veteran consultants approach the situation, and whether there are others out there like me, who need to touch the page in order to understand it.